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AUSTRALIAN FILMS
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EDITORIAL – 11/6/2015: POLITICALLY CORRECT IS THE WHOLE POINT
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EDITORIAL – 24/10/2013: MOVIE TO MAKE A (LOCAL) DIFFERENCE
By Andrew L. Urban.
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EDITORIAL – 7/11/2013: SIGNS OF MADNESS
Film critics go to a lot of previews some of them in places where they need to park. Some parking signs seem to have been put together by over-zealous bureaucrats. By Andrew L. Urban
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EDITORIAL 27/2/2014: MURDER BY THE PROSECUTION – CLUES IN A FILM
Sue Neill-Fraser will celebrate – if that’s the word - her 60th birthday next Monday, March 3, 2014 inside Hobart’s Risdon prison, shut away from her daughters and grandchildren, serving a 23 year sentence for the murder of her partner Bob Chappell, which she vehemently denies. The case is destined to be a cause célèbre because, in the absence of hard evidence, the prosecutor literally manufactured a murder scenario by speculation, unsupported by any physical evidence.
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EDITORIAL: 20/12/2014 - SONY HACKING & THE INTERVIEW - RIDICULE NOT FEAR IN REPLY
Faux-horror comedy film studio Troma was the first to respond – correctly - with ridicule to the ghastly attempt at terrorist blackmail by North Korea, after Sony’s new comedy, The Interview, was refused bookings at all major cinema chains across the US.
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GENRE AND ITS SLIPPERINESS
Star Wars is NOT Science Fiction. Mad Max is NOT a Road Movie, Let the Right One In is NOT a vampire movie, writes Mike
Jones.
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URBAN CINEFILE - SELECTED HIGHLIGHTS
Urban Cinefile was launched on February 27, 1997, when the internet was
barely an infant. We are proud to have served our readers and the Australian
filmmaking community as an ongoing resource ever since.
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