FOR RICHER OR POORER
SYNOPSIS:
Real estate developer Brad (Tim Allen) and his arrogant, high
society wife Caroline Sexton (Kirstie Alley) are unhappily
married socialites living in Manhattan. Still, they have their
high rolling lifestyle, until they learn that their accountant,
Bob Lachman (Wayne Knight), has filed erroneous tax claims and
embezzled their money. After Derek Lester (Larry Miller), a
gung-ho I.R.S. agent, mistakenly opens fire on Brad, the couple
go on the run and find themselves in Amish country, pretending to
be Jacob and Emma Yoder, visiting Amish relatives to Samuel (Jay
O. Sanders) and Lavinia Yoder (Megan Cavanagh). They stay on the
Yoder farm and quickly try to adjust to the lack of their usual
creature comforts. Time passes, and as their lawyer Phil Kleinman
(Michael Lerner) tries to work things out for them, Brad and
Caroline become more accustomed to their new, simpler lifestyle
and begin to grow fond of each other again. Their masquerade,
however, is soon threatened by agent Lester and his partner,
Frank Hall (Miguel A. Nunez), who begin to zero in on the
Sexton's whereabouts.
"Like Jungle 2 Jungle before it, For Richer or Poorer
pits two contrasting cultures against each other, while we watch
the characters adapt. In its favour, For Richer or Poorer is
slick, beautifully shot and does have a heart. It also has Kirsty
Alley and Tim Allen, who are delightful together, exuding genuine
screen chemistry. It’s full credit to them that they can be
so engaging, even when the situation is totally ludicrous and the
plot has got lost in a paddock covered with cow poo. But if
you’ve seen the promotional flyers showing Alley and Allen
sitting on a cow, he with a mobile phone, and she dressed to the
nines with her compact, you will know pretty much what to expect.
It’s not Shakespeare. Yes, it’s predictable, contrived
and there are intrinsic weaknesses in the plot which wavers and
gets bogged down in length as well as substance. But Alley is
sassy and a real scene stealer as the bitchy socialite who is
domestically challenged, with Allen comically appealing as the
material corporate guy with his own sense of logic. In it’s
favour are the verdant, picture postcard setting, and Randy
Edelman’s musical diverse score, filled with melodic
sculpture. The Amish community is portrayed with warmth and
dignity, while the message that the best things in life are free,
does get through the chuckles. It’s cute, it’s fun,
it’s low on substance, but For Richer or Poorer brings happy
escapism that promotes the value of true friendship, love and
commitment."
Louise Keller
"It would help when writing a film comedy these days to
write something that is actually funny. I know that's a big ask,
but, hey, that's the reality of the movie business. While some TV
comedians are able to work successfully on a larger canvas,
others ought to stick to what they know best. Welcome to the
world of formulaic comedy, a world inhabited by robotic morons.
It was probably a good idea at the time: a bickering rich couple
who discover they are penniless, and end up with the
down-to-earth Amish. And of course the moral is, a lot of hard
work is what makes one a decent human being. The trouble is, the
film is a comedy without the humour, a series of forced moments
that don't go anywhere. Tim Allen spends much of the movie in a
series of repetitive facial grimaces that are awful, while Alley
whines her way through most of the picture. Her sudden
transformation is the most unbelievable of them all. At least the
film doesn't parody the Amish people, and some of those scenes
are nicely done. But the film lacks any real spark. It's a
forced, overdone piece, sluggishly directed (and overlong), with
an incredible sameness to it. The best comedies are those based
on genuine wit and intelligence, rather than one crafted by
nitwits. Seeing this film would definitely make one poorer, not
richer."
Paul Fischer
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CRITICAL COUNT
Favourable: 1
Unfavourable: 1
Mixed: 1
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FOR RICHER OR POORER (M)
(US)
CAST: Tim Allen, Kirstie Alley, Jay O’Sanders, Michael
Lerner, Wayne Knight, Larry Miller, Miguel A. Nunez Jr, Megan
Cavanagh, John Pyper-Ferguson, Carrie Preston, Katie Moore, June
Claman
PRODUCERS: Sid, Bill & Jon Sheinberg
DIRECTOR: Bryan Spicer
SCRIPT: Jana Howington, Steve LuKanic
CINEMATOGRAPHER: Buzz Feitshans IV
EDITOR: Russell Denove
MUSIC: Randy Edelman
PRODUCTION DESIGN: Stephen Hendrickson
RUNNING TIME: 115 minutes
AUSTRALIAN DISTRIBUTOR: UIP
AUSTRALIAN RELEASE: April 23, 1998
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