KISS KISS, BANG BANG: DVD
Harry Lockhart (Robert Downey jnr) is a petty thief on the run in New York when he inadvertently barges into an audition for a role in a detective movie. His emotions raw and visible from the bad incident with his partner in crime, he impresses the filmmakers. He is flown to Los Angeles for a screen test, where he is told to prepare for the character and introduced to private eye Perry Van Shrike (Val Kilmer). He also bumps into childhood friend, aspiring actress and big fan of Jonny Gossamer (fictitious hard boiled PI) Harmony Faith Lane (Michelle Monaghan), who needs his help. The threesome soon find themselves in the midst of an elaborate murder mystery, involving Harmony's younger, abused sister, a wealthy man and his estranged daughter, and several gangsters and bodyguards.
Review by Andrew L. Urban:
Murder mystery meets the odd couple in this blackly hilarious bravado film that goes further in self referentialism than anything seen before. Harry Lockhart (Robert Downey jnr) narrates the story, ratcheted up a few degrees to make us fully aware that the narrator is speaking directly to the audience. Not any audience, but this audience watching the film.
Black has injected creatively risky devices to achieve a rigorous freshness in what is a turbo-charged version of the hard boiled PI genre, including characters talking to the audience, referring to the scene being played and even stopping the film to go back a step.
From the 60s referenced graphic design of the opening titles [self generating floral lines depicting gunsmoke, for example, stick men figures and fast moving shapes] to the lacerating black humour threaded through dialogue, plot and cinematography, Kiss Kiss Bang Bang dares to make us laugh at the most arbitrary violence one minute and smile with bemused enchantment the next. Sharp dialogue is bleakly hilarious, the characters are notoriously wayward and the murder mystery is a labyrinth that grows more knotted as we try to unravel it. The spirit of Raymond Chandler emanates from the film like smoke from a burning cigarette stuck in the red lips of a femme fatale ... or from the smoking gun in her hand.
Much more sophisticated than Shane Black's Lethal Weapon series of scripts, KKBB has the gritty smarts of L.A. Confidential and its smirking, sour glance at Los Angeles, but it's the character of the larrikin Lockhart that gives the film its ballast of morality - strangely enough. A flawed anti-hero, Harry nevertheless has a firm set of moral principles to guide him, even though his flesh is not always as willing as his spirit.
Robert Downey's extraordinary creation of this loveable rogue gives the film heart and holds our interest, not merely the plot. His teaming with Val Kilmer's cool and gay private eye provides plenty of odd couple conflict humour, and Michelle Monaghan is terrific as the girl with more than meets the eye. All supports are great, and the action is a combination of ultra realism and deranged fantasy, full of surprises.
But it's the film's overall tone, it's disdain for convention and its bravura style that marks this as a work of compelling cinema with great mass appeal and satisfaction for lovers of hip, off-centre action comedy. Screened at Cannes in 2005, it should have won the Palme d'Or.
Published March 16, 2006
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KISS KISS, BANG BANG: DVD (MA)
CAST: Robert Downey jnr, Val Kilmer, Michelle Monaghan, Joel Michaely, Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon, Angela Lindvall
PRODUCER: Joel Silver
DIRECTOR: Shane Black
SCRIPT: Shane Black (Brett Halliday novel)
CINEMATOGRAPHER: Michael Barrett
EDITOR: Jim Page
MUSIC: John Ottman
PRODUCTION DESIGN: Aaron Osborne
RUNNING TIME: 102 minutes
AUSTRALIAN DISTRIBUTOR: Roadshow
AUSTRALIAN RELEASE: November 17, 2005
SPECIAL FEATURES: None
DVD DISTRIBUTOR: Warner Home Video
DVD RELEASE: March 15, 2006
RIVERSIDE SNEAK PEEK PREMIERES
A program of premiere screenings of new movies prior to their commercial release
on 4 consecutive Tuesdays in February, following a FREE introductory screening on February 17, 2015 at Riverside Theatre,
Curated & presented by Andrew L. Urban, discussion to
follow with special guests. Briefing notes provided.