WILD MAN BLUES
SYNOPSIS:
Feature length documentary about Woody Allen and his New Orleans-style jazz band, filmed
during his recent European Tour, starting with the charter flight across the Atlantic.
Allen and his band take the stage and play before adoring audiences in seven countries and
eighteen cities, capturing the energy and passion of these performances. The film also
reveals Allen in more private moments, as he fends off overzealous fans and paparazzi and
struggles with the Felliniesque carnival of celebrity that surrounds him. Accompanied by
his girlfriend Soon Yi Previn and his sister, Letty, Allen displays his signature humour
and reveals – in addition to his obsessions and neuroses – the private person
behind the public persona, in glimpses aboard gondolas, inside hotel suites and cars.
"Compelling, revealing and very human, Wild Man Blues is a biting and intriguing
insight into the life of the enigmatic Woody Allen. What’s really fascinating about
this well-made documentary, is the honesty in which Allen is portrayed, and the overall
feeling of being a fly on the wall during some amazing, deeply personal moments.
There’s insight into Allen the man, by his approach to the various parts of his life.
There are no pretensions here, but a self-deprecating style, the familiar cutting wit and
an endearing insecurity, which is often surprising and refreshing. When hundreds of fans
appear outside a hotel, Allen debates whether or not to make an appearance – how does
he know that they really want to see HIM, in case someone like Mick Jagger is also staying
there. Perhaps the highlight is a brutally frank conversation between Allen and his
elderly jewish parents, who don’t mince words. And there’s his much-talked about
relationship with Soon Yi Previn; Previn impresses with her no-nonsense, matter-of-fact
manner. No shrinking violet is she. Here is a forthright, smart, sassy, patient and caring
individual, who boosts Allen’s morale and seems (can I say?) normal! Watching Allen
and Previn together in their towelling robes over room service breakfast swapping dishes
because Previn’s Spanish omelette is rock hard, is not only enlightening but very
funny. There are no airs and graces as they joke about at the magnificent suite they have
been given, and astonish that their suite has its own sunken pool; clothes off and in they
dip. Wild Man Blues looks at the man through his music, and there is no question Allen is
serious about that. He is at his most relaxed when he plays the clarinet with passion,
swept away by the jazz and the rhythm. As entertaining as any of his films, and decidedly
more complex, Wild Man Blues is a delicious treat – don’t miss it."
Louise Keller
"Yes, indeed, this is cinema verité without the nasty bits – although there
are plenty of anguished moments, such as Woody getting seasick in a gondola. Wild Man
Blues is an ironic title, which is a nice surprise, and one that mocks Woody’s
nerdyness. Yet the film also celebrates it, although Barbara Kopple deserves praise for
her innocent approach, neither moralising or trying to manipulate the footage to save or
to slander her subject. There is also much verité in the selection of conversations;
neither grovelling nor haughty, Kopple’s editing is balanced and entertaining. Hugely
entertaining, especially as she has managed to keep enough of the music to let it speak
for itself and to make sense of Woody’s passion for it – without overburdening
the film with it. If you are a Woody fan, this will be a treat; if you are not a Woody
fan, this will be a revelation."
Andrew L. Urban
 |
 |
|
Email this article
__________________
CRITICAL COUNT:
Favourable: 2
Unfavourable: 0
Mixed: 0
__________________


WILD MAN BLUES (MA)
(US)
BAND MEMBERS: Woody Allen, Dan Barrett, Simon Wettenhall, John Gill, Cynthia Sayer,
Greg Cohen, Eddy Davis
DIRECTOR: Barbara Kopple
PRODUCER: Jean Doumanian
CINEMATOGRAPHER: Tom Hurwitz
EDITOR: Lawrence Silk
SOUND RECORDIST: Barbara Kopple, Peter Miller
RUNNING TIME: 105 minutes
AUSTRALIAN DISTRIBUTOR: Roadshow
AUSTRALIAN RELEASE: (Melbourne) June 25, 1998; (Sydney) July 30; (Brisb, Adelaide, Perth) July 16)
|