Urban Cinefile
"I remember entering a break-dancing competition here. I wasn't the best break-dancer, but they knew I was from the United States, so they gave me a trophy! "  -Leonardo DiCaprio remembering his early years in Germany
 The World of Film in Australia - on the Internet Updated Tuesday September 15, 2020 

Search SEARCH FOR A FEATURE
Our Review Policy OUR REVIEW POLICY
Printable page PRINTABLE PAGE

Help/Contact

7th BRISBANE INTERNATIONAL FILM FESTIVAL

COLOUR SCHEME FOR BRISBANE
Festival Artistic Director Anne Demy-Geroe wants to put colour back into her patrons’ lives, with a Colour Your World theme for the festival, launched yesterday (July 1, 1998) with the Petula Clark classic, Colour My World as its anthem. ANDREW L. URBAN reports from Brisbane:

With actor Bill Hunter sidelined by a car accident on his way to Sydney airport - and so unable to help launch the Festival - the white Mustang convertible that delivered the dignitaries to the Queen Street Mall rotunda had room for newly installed Arts Minister Matt Foley, Sir Llew Edwards and Anne Demy-Geroe, while The Mint Patties belted out a cheerful a capella version of Petula Clark's Colour My World.

Wearing beehive hairdos, green polka dot dresses and fluffy white jerkin jackets, the three girls (Holly Wood, Betty Ford and Ginger rats) segued into Be My baby and Please Mr Postman before the speeches started, but not before champagne was handed round.

The media launch attracted hundreds of mall pedestrians and rounds of applause greeted the news that Rolf de Heer had been awarded the Chauvel Award for his contribution to Australian cinema. (See NEWS story) Sir Llew, chairman of the Pacific Film and TV Commission which operates the festival, and Minister Foley expressed strong support for arts funding, before Demy-Geroe outlined in broad brush strokes, her 1998 festival programme.

With over 200 films screening, she wanted to create the Colour Your World theme and said she hoped the extra venue would help ease the queues which had developed last year when the festival enjoyed a 25% boom in attendance, to some 20,000 patrons. "I hope we will at least equal that this year," she said.

Having outgrown its 400 seater cinema auditorium at the Hoyts Regents Theatre complex, the BIFF expands its programme to two cinemas this year, with the addition of a 740 seater, which will screen the more widely popular films.

As a cosmopolitan celebration of film, this year’s event is enhanced by a program of out-of-cinema experiences at Brisbane restaurants, cafes and bars.

"Where everyday stresses take the colour out of our lives, the Festival will put it back in" – Anne Demy-Geroe

Festival director Anne Demy-Geroe says the 180 or so feature films, documentaries, and shorts selected, "offer a myriad of experiences and sensations to cinema-goers. Where everyday stresses take the colour out of our lives, the Festival will put it back in. Notable films include Neil Jordan's new drama Butcher Boy; Pedro Almodovar's Live Flesh; Bob Gosse's Niagara, Niagara; the sexy new film from Tom Di Cillo, The Real Blonde; the winner of Best Director at Cannes, Wong Kar-Wai's Happy Together and the Australian Cannes Competition entry, Dance Me to My Song, by Rolf de Heer.

The new Australian romantic comedy, Dead Letter Office, directed by John Ruane and starring Barry Otto, Miranda Otto and George del Hoyo, will open the Festival. Ruane and del Hoyo are expected to attend the Brisbane screening.

Other Australian films to be screened include Robert Carter's Sugar Factory, Nadia Tass's Amy, and James Bogle's In the Winter Dark (which opened the Sydney Film Festival).

Gummo, the controversial film by Kids author Harmony Korine is also on the schedule, as is Pianese Nunzio - 14 In May, a rather frank and courageous film by Antonio Capuano.

For 70s fans, late night blaxploitation sessions, featuring such hits as Cooley High, Shaft and Sweet Sweetback's Baadasssss, have been scheduled. Special screenings of gay pride films will be held at the Tivoli Club in Fortitude Valley and some enthralling documentaries will be screened at the State Library theatrettes, including some films on famous filmmakers, such as Frank Capra, Billy Wilder and Ken Loach.

"We want to feed, satisfy and celebrate the desire in people to see good film." – Anne Demy-Geroe

The signature event of the Festival, the Chauvel Awards, will become a public event this year, with the Lord Mayor, Cr Jim Soorley again making the presentation.

A Festival highlight for families will be the free public screening on Sunday, 2 August, at the Brisbane City Hall, of the 1927 Australian silent classic, The Kid Stakes, accompanied by a musical score written by Brisbane composer Kent Farbach.

"We want to feed, satisfy and celebrate the desire in people to see good film."

[ Top ]

Email this article

________________

July 30 – August 9, 1998

Info and Ticket Centre:
Lower Level, David Jones store
Bookings & info Hotline:
07 3220 0444

Gold pass for admission to all Festival events: $255; Opening night film and party: $50; Tickets for 10 films: $75 ($65 concession) or five: $40 ($35). Daylight pass: $35.

________________


Amy


Dance Me To My Song


Dead Letter Office


In the Winter Dark


Sugar Factory

__________________

OPENING FILM: DEAD LETTER OFFICE

CLOSING FILM: NIAGARA, NIAGARA

__________________

We will publish a detailed overview of the programme by David Edwards (no relation to Sir Llew) on July 9, 1998.

__________________







© Urban Cinefile 1997 - 2020