SWEENEY, THE (2012)
SYNOPSIS: Legendary Detective Inspector Jack Regan (Ray
Winstone) and his loyal partner George Carter (Ben Drew) are old
school crime fighters enforcing the law in a modern London
underworld. Armed and dangerous, the Flying Squad (Sweeney Todd in
rhyming slang, hence The Sweeney) have their own unique - and often
questionable - way of operating; however, they always get the
results. With a bank heist in progress and his old enemy making a
re-appearance on the London crime scene, Regan will do whatever it
takes to get the job done, even defying orders from his no nonsense
Guv (Damian Lewis).
Review by Louise Keller: Taking its origins from the
top-rated 70s British TV police procedural, this 2012 movie
version proves to be a fitting vehicle for tough guy Ray
Winstone, who is paired with singer songwriter Ben Drew as a
former street crim turned loyal disciple in London's elite Flying
Squad, known in Cockney rhyming slang as the Sweeney (Todd).
Gritty and violent, this character-driven drama socks it to
us without restraint and we get the distinct impression there's
nothing left in the tank by the time the tale is told. Australian
audiences may have trouble making out all the dialogue - the
Cockney accents are broad and there's a lot of mumbling going on
- as the close knit team with a reputation for using heavy handed
tactics, set about their business to solve a recent burglary and
execution-style murder. Winstone's dramatic entrance comes in
one of the opening scenes, as men in balaclavas and blue overalls
are caught in the middle of a robbery. His two burly arms crash
through a wall, grabbing the culprit by the throat - and by
surprise. We get to meet the rest of the team that forms The
Sweeney, at work and at play, and from the lustful looks over the
table, we understand that Winstone's top dog Jack Regan is having
torrid sex with his shapely colleague Nancy (Hayley Atwell). It
so happens that Nancy is married to Ivan Lewis (Steven
Mackintosh), the thin-lipped detective from Internals, who is
commissioned to observe the operation, questioning their baseball
bat, pick-axe and taser tactics.
The film takes a while to
get going, but when it does, it flies. The plot involves a
jewellery store robbery in which a seemingly innocent bystander
is shot for no apparent reason. Additionally there's a high
stakes robbery in a private clearing bank in Trafalgar Square,
with mostly Middle Eastern clients. Allen (Paul Anderson) plays a
nasty piece of work, who is the subject of a stake out, followed
by a tense interrogation. His luxury yacht, Pegasus, named after
the winged horse in Greek mythology, also plays a part. The
action sequences in Trafalgar Square and the National Gallery are
worthy of note, as are the car chases, which end in spectacular,
dramatic fashion.
The best part of the film involves the
relationships between Jack and the various characters. There are
raunchy moments between Jack and Nancy (she bullies him into
going on a diet), bitter ones between Jack and Lewis, deadly and
violent hatred between Jack and Allen and best of all is the
meaningful camaraderie and loyalty between Jack and George
(Drew).
In the end, it's all about justice and going all
out to prove it. The famous line 'You're nicked' is used several
times, notably after the tense, final action crescendo in which
serious squealing of brakes and fire power trigger us into
submission. In its genre, it is effective and powerful and
delivers to its target market.
Review by Andrew L.
Urban: Jack Regan (Ray Winstone) is the Dirty Harry of the
London police, working inside the armed hold up or Flying Squad -
the Sweeney [Todd] - often at odds with authority and bureaucracy
- and always at odds with crims. In the mid 70s the British TV
series on which this film is based set a new high standard of
gritty realism in police dramas. The franchise (they made 53 TV
episodes) can no longer repeat that pioneering result, but the
film still pushes the police characters into uncomfortably
uncompromising situations, where their violence is
indistinguishable from that of the baddies. They also drink a lot
and have sex - even with estranged wives of fellow officers.
Director and co-writer Nick Love takes us (lovingly) into
their world with great zest, driving the narrative and the
character profiling with equal vigour. Winstone is a standout in
a role that for once puts him on the right side of the law. But
it doesn't make him a nice guy; indeed, he's quite unlikable,
which is a remarkably brave approach to a film that is surely
intended to be commercial. But Love gets away with it because
underneath, Jack Regan's faults are entirely at the service of
his determination to 'nick' the crims. He has a very simple moral
position which doesn't need to be spoken about in moralistic
terms. He's cleaning up the garbage on the streets of London. And
he's devilish good at it.
Ben Drew also impresses as his
sidekick George Carter, a self redeemed crook who displays as
much loyalty as guts. Hayley Atwell plays Nancy, the estranged
wife of the head of Internal Affairs, Ivan Lewis (Steven
Mackintosh, superb), who is having a serious affair with Jack
Regan. Atwell is also one of the Sweeney team, which adds
complications - and drama.
The plot is well hatched and
cleanly executed, although the cold blooded killing during the
jewellery shop robbery - the central crime the Sweeney is hoping
to solve - is not fully resolved.
The major shootout in
Trafalgar Square is astonishing for both its precision and its
extraordinary length, while the climactic car chase is brutal and
spectacular, superbly shot and edited. There's not much more we
could ask for in a contempo police procedural - except maybe
subtitles to overcome the heavy, dense cockney accents.
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 CRITICAL COUNT Favourable: 2 Unfavourable: 0 Mixed: 0 SWEENEY, THE (2012) (MA15+) (UK, 2012) CAST: Ray Winstone, Ben Drew, Hayley Atwell, Steven Mackintosh, Damian Lewis, Paul Anderson, Allen Leech, Alan Ford, Steven Waddington PRODUCER: Allan Niblo, Rupert Preston, James Richardson, Christopher Simon, Felix Vossen DIRECTOR: Nick Love, John Hoges SCRIPT: Nick Love, John Hodges (source material Ian Kennedy Martin) CINEMATOGRAPHER: Simon Dennis EDITOR: James Herbert MUSIC: Lorne Balfe PRODUCTION DESIGN: Morgan Kennedy RUNNING TIME: 112 minutes AUSTRALIAN DISTRIBUTOR: Hoyts AUSTRALIAN RELEASE: February 14, 2013
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