CENTRAL STATION

"Through the experiences of a lonely middle aged woman and a young boy, Walter Salles reveals not only the extraordinary within the ordinary of human experience, but gives us a comprehensive glimpse of Brazil itself. We see it both physically and spiritually; both as a place of social conflict and as one of hope and renewal. The film’s central story comes from the displacement of families in search of a better life, especially those from the northeast of Brazil, who flocked in vain to Rio in search of work and success in the 70s. In this regard, Salles is a social historian. The effect that one person can have on another comes from human nature. In this regard, Salles is a filmmaker. Fernanda’s (accolade-heavy) portrayal of Dora is a sumptuous piece of acting, rich in nuance, pain and change. Through the subtle shifts in her approach to life we are encouraged; but Dora is also a symbol of Brazil today, as is young Josué, in search of his father. (This aspect is heightened for those who speak Portuguese, in which the word for father (pai) and country (pais) are almost identical.) But the film works on a purely personal level, too, emotionally engaging and thoroughly satisfying as a story of two isolated human beings bumping into each other, learning much and gaining even more. Here is a genuinely moving film for all those who love cinema and complain bitterly when the mainstream disappoints."
Andrew L. Urban

"What is remarkable about this film, is how intricate it deals with the two central characters, and their exquisitely subtle evolution. Unlike similarly-plotted films from mainstream Hollywood, Central Station isn't interested so much in plot contrivance, but the way in which director Walter Salles carefully constructs sequences, in which these two exquisitely detailed characters mesh and evolve. It's not a frenetic film by any means, but that doesn't matter, because we are mesmerised by the detailed characters and the captivating performances of the actors who bring these lost souls to life. Fernanda Montenegro delivers an eloquent, Oscar-calibre performance as an initially tough-minded, cynical scam artist who learns to rediscover her own humanity through her relationship with an equally cynical Josue, played with intelligence, sensitivity and realism by Vinicius de Oliveira. The two work together with effortless harmony, and their journey becomes one that is wonderful to watch. Beautifully shot and featuring a resonant score by Antonio Pinto, Central Station is a film that deals with issues of dependence and loneliness, yet does so without resorting to undue sentiment. The film's emotional centre is its realism and honesty, a rare combination in contemporary cinema. Central Station is a very special film indeed."
Paul Fischer