PLAYING BY HEART
SYNOPSIS:
Meredith, a theatre director (Gillian Anderson), and Trent, an architect (Jon Stewart),
have a couple of misbegotten dates. Joan (Angelina Jolie) a struggling actress, doggedly
chases young Keenan (Ryan Phillippe) from one nightclub to another. Meanwhile, the married
Gracie (Madeleine Stowe) trysts with her equally married lover (Anthony Edwards) in a
high-rise hotel. Cooking show creators Hannah (Gena Rowlands) and Paul (Sean Connery) find
their 40-year marriage threatened by surprise revelations. And Hugh (Dennis Quaid) drifts
aimlessly among bars, recounting sad stories and tall tales to confused strangers
(Patricia Clarkson and Nastassja Kinski). Elsewhere, Mark (Jay Mohr) lies dying of AIDS in
a hospital, while his long-suffering mother Mildred (Ellen Burstyn) keeps vigil.
"It's raining in Los Angeles - tears of heaven for the dying and the living alike,
perhaps, as Willard Carroll takes us on a walk through the heartland of love, across
fields and forests, the thicket and thistle of it all. At first fragmented, slowly
coalescing, the stories of these couples are heartfelt because we become attached to them
early on and invest in their emotional decisions. And it's gripping stuff: snapshots of
ordinary people, at first apparently unconnected, who are getting Carroll's open heart
surgery on the operating table of love. The younger ones are cool and the older ones ultra
cool, with Connery and Rowlands scorching as an old married couple on a tidal wave of
feelings they didn't expect. All the characters are conspicuous by their reality, and
elicit laughter as much from painful recognition as from the well worked dialogue. Death
gets a workout, too, a factor that plays an insistent note in everyone's life.
Stylistically, the film is dense yet accessible, with some well used time lapse
photography, and a genuinely thought provoking camera that is as subtle as it is powerful;
much like the score. I like this film a lot, a genuine grown up movie that will hurt,
amuse and amaze its target audience, and maybe surprise you if you are not it."
Andrew L. Urban
"If you like your emotions stirred, shaken a little, on the rocks or just
straight, you'll find Playing by Heart is a welcome cocktail. The ingredients – by
way of talent, music and assured direction – are all first rate, and the cast list
gives an idea of the treat in store. Willard Carroll's insightful and beautifully written
piece about all kinds of love, from the deeply complex to the ironic, is a satisfying
journey around the dance floor of life. Within the first 15 minutes, we have not only met
very different characters, but they have drawn us emotionally into their worlds. We jump
from story to story effortlessly, smoothly, compellingly. On the menu, love appears in
many forms: from familiar to forbidden, hopeless to hopeful, reluctant to compulsive,
deceitful to trusting, love with strings and love without. Love for any palate. This
superbly observed, character driven story hooks us and pulls us deeper and deeper into a
labyrinth of emotional complexity. From the superficial, we delve into areas where we
aren't so comfortable – places and situations which express life's bitter ironies
only too well. We explore what we think we want to know – only to find we probably
would have been more content not to know. They say it never rains in LA – but
in the course of this film set in the City of Angels, we experience rain, sunshine, day,
night – all symbolic on the rollercoaster of consciousness. One solitary drop of rain
running down the exterior of a car window reflects a tear shed on the inside. Life is
uncompromisingly entwined with death, as surely as beginnings come from endings. I found
Playing by Heart to be an extraordinarily moving film – an optimistic close up of the
colourful tapestry of love. The entire cast are marvellous – but the real scene
stealers are Sean Connery, Gena Rowland and Angelina Jolie, who light up the screen with
never a flicker. Poignant, moving, witty and funny, Playing by Heart is a rare treat
– a delight for anyone who has ever loved."
Louise Keller
"With its Los Angeles setting and precise La Ronde-style choreography of eleven
principal characters who are connected to one another in some way, Playing by Heart could
easily pass muster as a reworked companion piece to Alan Rudolph's 1976 debut Welcome To
L.A., or its 1984 update, Choose Me, as well as Robert Altman's exceptional Short Cuts
from 1993. But while these earlier films' dark undercurrents (and limited budgets)
invariably confined them to a largely arthouse audience, this latest rumination on love
and its many permutations couldn't be more mainstream friendly. Carroll has fashioned a
deceptively simple romantic souffle whose underlying complexity, particularly in its
inspired finale, is always equal to the sum of its acutely observed parts. Its sight and
sound are perfectly distilled in Vilmos Zsigmont's elegant cinematography and veteran John
Barry's soaring score. Highly recommended."
Leo Cameron
"Watching this film reminds one of seeing a moderately good piece of theatre -
some excellent acting, an above-average script, and a lot of words but little emotional
empathy. Willard Carroll's overly verbose script becomes a victim of its own
artificiality. The dialogue, for the most part, is far too clever and trite for its own
good, and so much of the film's reality, becomes somehow dissipated. But there are some
pleasures, notably in performances like that of Connery and Rowlands, who light up the
screen and every scene in which they so deftly play off one another. Angelina Jolie has
her moments, but lets herself down with dialogue that never rings true, and a co-star in
Ryan Phillippe, who is simply woeful. Filmed in Los Angeles by veteran cinematographer
Vilmos Zsigmond, the film looks gorgeous and is technically proficient. Under the guidance
of a more astute director, Playing by Heart could have been a special film, rather than an
irritating and simplistic one."
Paul Fischer
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CRITICAL COUNT
Favourable: 3
Unfavourable: 1
Mixed: 0
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SOFCOM MOVIE TIMES
PLAYING BY HEART(M)
(US)
AKA: Dancing About Architecture
CAST: Gillian Anderson, Ellen Burstyn, Patricia Clarkson, Sean Connery, Anthony
Edwards, Angelina Jolie, Jay Mohr, Ryan Phillippe, Dennis Quaid, Gena Rowlands, Jon
Stewart, Madeleine Stowe
DIRECTOR: Willard Carroll
PRODUCER: Willard Carroll, Meg Liberman, Tom Wilhite
SCRIPT: Willard Carroll
CINEMATOGRAPHER: Vilmos Zsigmond
EDITOR: Pietro Scalia
MUSIC: John Barry
PRODUCTION DESIGN: Missy Stewart
RUNNING TIME: 121 minutes
AUSTRALIAN DISTRIBUTOR: Roadshow
AUSTRALIAN RELEASE DATE: August 26, 1999
VIDEO RELEASE: February 17, 2000
VIDEO DISTRIBUTOR: Roadshow Home Entertainment
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