6TH DAY, THE
SYNOPSIS:
Adam Gibson (Arnold Schwarzenegger) is a decorated fighter pilot and old fashioned family
man whose life (and wife) is thrown into chaotic danger when he discovers he’s been
cloned. By mistake . . . The billionaire behind human cloning, Michael Drucker (Tony
Goldwyn) sends his top thugs Marshall (Michael Rooker) and Talia (Sarah Wynter) to find
him. They, too, are clones of their former selves, examples of how cloning can get out of
hand.
"To clone or not to clone, that is the question in The 6th Day, a
futuristic action spectacular with not one, but two Arnies. So if you're a fan of the
square jawed Ken doll with pecs and charming accent, you'll be doubly impressed. Set in an
age when the fridge tells you to stock up ‘cause you're just about to run out of
milk, you can drive your car or plane by remote control and hey, you never need worry that
your precious pet might hit the dust - Repet's the way for cloning today - society's woes
are somewhat different. Originals are hard to come by and in this world of selective
morality, playing God and creating tailor made people in just two hours for 1.2 million
dollars each is par for the course. Like Arnie, the stunts are big – buildings
explode, glass shatters, water falls and flying machines provide thrilling chases through
striking snowy canyons and vistas. It's stylish, high tech and action all the way. The
premise takes a whiff of Total Recall and like Bicentennial Man, the film touches on the
true meaning of humanity. But it's mostly predictable Hollywood action with a trite script
whose lines like 'Try staying dead next time' emphasise the plastic nature of the
characters. But after all, they are mostly clones, so plastic is on the cards. Arnie is
– well – Arnie, and while we are told he does all his stunts (and they are
convincing), his performance lacks the depth shown in his last outing End of Days. Will
his next film be titled The First Day, I wonder? Sarah Wynter looks abfab in her blue wig
as she scowls a lot, kicks butt and is chronically aggressive, but there's not much
opportunity to show much else. Robert Duvall adds credibility – his and Wendy
Crewson's characters are the only ones that are real. Visually striking, The 6th
Day impresses with its superb production design and dazzling non-stop action, even though
it's too long, too shallow and often too loud. But if big bangs is what you're after, this
is definitely the ticket."
Louise Keller
"Arnie is getting too predictable in these gimmicky films, and he’s letting
weak wisecracks into his dialogue. Lines that he once cracked in the line of superhero
duty are now refashioned and regurgitated: it’s not the same. And let’s face it,
without those lines, his films (Terminator 1 & 2 hotly excepted. Indeed, you might be
forgiven for thinking that writers Mr & Mrs Wibberley have taken the replicating
baddie of T2 and reinvented it as the multi-clonable baddie. . .) are not for grown ups.
This one isn’t, and not because the subject is slight. Human cloning is a powerful
subject: indeed, this film is high concept, high impact, high budget, high risk – and
loud. In these respects it fully achieves its objectives for a target audience of young
men (and probably some women) who get a kick out of the gizmos, gangbuster fight scenes,
seriously slash and burn stunts and the fun of two Arnies, often working in the same
scenes, in the one movie. And yes, the effects are fabulous, the adrenaline factor is high
and the weaponry intriguing. And then there’s the new anti-violence parent Arnie, who
explains to two baddies that he won’t shoot them dead in front of his little girl.
You gotta admire the intention, even if you question the method. I have much admiration
for Arnie’s talents, his humanity, humour and the brains he keeps all too hidden from
his fans. But these days (The 6th Day and End of Days) are not his best
work."
Andrew L. Urban
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CRITICAL COUNT
Favourable: 0
Unfavourable: 0
Mixed: 2


6TH DAY, THE (M)
(US)
CAST: Arnold Schwarzenegger, Michael Rapaport, Tony Goldwyn and Sarah Wynter
DIRECTOR: Roger Spottiswoode
PRODUCER: Jon Davison, Mike Medavoy, Arnold Schwarzenegger
SCRIPT: Cormac Wibberley and Marianne Wibberley
CINEMATOGRAPHER: Pierre Mignot
EDITOR: Michel Arcand, Mark Conte, Dominique Fortin
MUSIC: Trevor Rabin, Michael Wandmacher (songs)
PRODUCTION DESIGN: James D. Bissell, John Willett
RUNNING TIME: 123 minutes
AUSTRALIAN DISTRIBUTOR: Columbia Tristar
AUSTRALIAN RELEASE: January 18, 2001
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