JACKAL, THE
SYNOPSIS:
A ruthless assassin (Bruce Willis) has been hired by
international cut-throats to eliminate someone at the top of the
US Government for US$70 million. Known only as the Jackal, he is
a loner, constantly on the move, changing his identity and
location. FBI Deputy Director (Sidney Poitier) with Russian
intelligence officer Valentina Koslova (Diane Venora) realise
that in order to track down this cold-blooded killer, they need
to think like one. They enlist the help of an imprisoned
underground Irish operative, Declan Mulqueen (Richard Gere), who
has his own personal history with the assassin. Together, these
unlikely allies combine forces to beat the clock in an
international race to find - and stop - the Jackal.
"The original yarn from Frederick Forsyth’s novel is
a good one, and this updated version relies on advanced
technology and the star power of Willis and Gere. It’s an
absorbing thriller, a little long, and lacking in pace at times,
and I actually enjoyed this film more afterwards, on reflecting
about the various elements. Gere is outstanding as the Irish
operative: he easily slips into Mulqueen’s skin, and gives a
charismatic, credible performance (even though it could be argued
that the character is a little too likeable). Willis’ Jackal
is memorable: totally self reliant, the callous loner relies on
and trusts no-one, and rarely shows emotion. Willis makes great
use of his face in tiny, almost subliminal gestural movements,
implying a nature of the most evil kind. Less is more in this
role, and used to great effect. The use of disguises absorbs
(unlike Val Kilmer’s attempts in The Saint), while the plot
brings some surprises and genuinely innovative ideas. Seeing
Willis in a gay bar making an alliance, for reasons we later
discover, is a revelation. Watch out for it. And the moment when
Willis and Gere see each other for the first time, time stands
still. This is body language at it’s best. Now the elder
statesman, Poitier brings a swag of credibility and is good to
watch. Diane Venora, as the Russian Agent, is a pleasant
surprise. She is tough, likeable and her character works well.
There’s a little too much gratuitous violence for my liking,
and some of the detail I actually enjoyed more in retrospect. The
genuine excitement and thrills that come in the last half hour
are too short, and a few melodramatic moments and plot
shortcomings could be modified. Nonetheless, it’s a good old
fashioned thriller with enough elements to entertain and make it
worth the price of a cinema ticket."
Louise Keller
"With its strong premise, a couple of fine performances
and highly polished tooling, The Jackal scores as an involving
high-tech thriller that occasionally hits peaks of pulsating
excitement. Proficient without being genuinely inspired, and
sometimes far-fetched in its plotting, this exceedingly lavish
updating of a well-known novel and film stands as a solidly
commercial male-oriented suspenser… The Jackal turns out to
be an excellent role for the actor (Willis), who suggests an
enormous store of implied menace, certitude and skill through
astutely judged minimalist means. … The film’s
above-the-title star power burns brightest when the Jackal and
Declan come face to face for the first time; Willis’ and
Gere’s stares and body language do virtually all the talking
before the guns start blazing… Gere was clearly an odd
choice to play an Irishman, and there are certainly any number of
actors out there who would have been more plausible in the role.
But this actually reps one of Gere’s least preening and
self-absorbed performances, and he is not obliged to carry the
film entirely on his shoulders. Poitier is a pleasure to watch,
but the film’s real standout performance comes from Venora.
No-nonsense in a Russian military manner and sounding like Greta
Garbo in Ninotchka, her Valentina has obviously survived many
battles… the actress invests her character with courage,
smarts and a force of will that prevails over her seen-it-all
world weariness, and the film comes most alive when she is taking
an active role in the drama…."
Todd McCarthy, Variety [ Top ]
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The many faces of Bruce
Willis




Sidney Poitier

Richard Gere

Diane Venora

Tess Harper

Director, Michael
Caton-Jones

JACKAL, THE (M)
(US)
CAST: Bruce Willis, Richard Gere, Sidney Poitier, Diane
Venora, Tess Harper, J.K. Simmons, Mathilda May, Stephen
Spinella, Richard Lineback, Jack Black, John Cunningham, David
Hayman, Steve Bassett, Ravil Isyanov, Serge Houde
DIRECTOR: Michael Caton-Jones
PRODUCER: James Jacks, Sean Daniel, Micahel Caton-Jones, Kevin
Jarre
SCRIPT: Chuck Pfarrar (Based on the motion picture screenplay,
The Day of the Jackal by Kenneth Ross)
CINEMATOGRAPHER: Karl Walter Lindenlaub
EDITOR: Jim Clark
MUSIC: Carter Burwell
PRODUCTION DESIGN: Michael White
RUNNING TIME: 124 minutes
AUSTRALIAN DISTRIBUTOR: UIP
AUSTRALIAN RELEASE: January 8, 1998
Video Release: Feb 18, 1999
Video Distributor: CIC
RRP:$24.95
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