MA VIE EN ROSE
SYNOPSIS:
For Ludovic (Georges Du Fresne), a little girl born into a little
boy’s body, nothing is more natural than to change his
gender. As a hopeful and sensitive child, he truly believes that
a miracle will happen. No doubt about it, he will become a girl,
and he’s in love with Jerome (Julien Riviere), his school
mate, and son of his father’s colleague. Initially a source
of amusement, an outrage begins in their suburb when the two boys
are discovered pretending to get married. The family begins to
realise with horror that his desire to be a girl isn’t just
a little boy’s fantasy. They try to make him change his
mind, but to no avail. The situation turns into a real-life drama
as intense reactions of neighbours, friends, and teachers, create
an atmosphere of bigotry, but Ludovic’s optimism remains
firm.
"Alain Berliner’s first feature, Ma Vie En Rose, is
a poignant and original exploration of the mental anguish and
confusion of a young boy and his sexuality. Berliner looks
skilfully at human nature, prejudices, conflicts and
discriminations, and how they affect the family unit. Told from
the child’s simplistic point of view, the film effectively
uses bright colours to reflect fantasy, while reality is mirrored
by subtler shades. The complexities of how parents feel about
their children is effectively revealed, shooting straight to the
core of relationships and emotions. This contrasts the sheer
simplicity with which a child looks at things: Ludovic has a
practical scientific explanation as to why he believes he’s
a ‘girlboy’. (Dressing like a girl is worse than
‘putting the cat in the dishwasher’ we are told.) With
an emotive music score, Berliner merges the lines between reality
and fantasy, aches with a mother’s pain, and reels under the
discrimination of the entire neighbourhood. Revealing and
heart-felt, the film ultimately carries the message to accept
each other for who we are, and that - from any age - we are all
different. The performances are very real; Georges Du Fresne, in
a remarkable film debut, will break your heart with his
vulnerability and innocence; Michèle Laroque is wonderful as his
mother, Hanna; Hélène Vincent moving as Elisabeth. Blending a
comic with a dramatic approach to this touching subject, Ma Vie
En Rose is a wonderful film - you may squirm in your seat a
little and your heartstrings may be yanked, but essentially it is
as revealing as you will let it be, capturing another aspect of
the human condition."
Louise Keller
"I agree with Louise; I found the performance of the
young Du Fresne incredibly natural, tremendously moving and at
times equally lighthearted. The point of view from which the
story is told is not unique, but the sheer freshness of the way
it’s told is. It is an indictment of narrow minded and
bigoted people, of course, and an exercise in exposing the giant
irony that such people generate: righteous, morally upright, ever
so straight – yet bent and twisted by the absence of
humanity, and as Christian in spirit as was the Inquisition. The
use of colour to which Louise refers, is exceptional, and coupled
with the camera angles – usually looking down, observing
this crazy world – becomes the filmmaker’s voice in the
film. Berliner’s adroit manipulation of fantasy as a tool
for his storytelling is cinematically brilliant. Absorbing and
entertaining, this is a genuine pleasure."
Andrew L. Urban
"Few films about childhood have the rich resonance and
sheer audacity of Ma Vie En Rose, certainly one of the most
distinctive and exquisite films of the year. This may not be the
first movie to deal with the confusion of one's sexuality, and it
won't be the last, but it's the first to do so with as much
intelligence, poignancy and honesty as this extraordinary work.
Combining allegorical fantasy with pointed realism, the film is
more about identity and non-conformism, as it is about a child's
emotional and sexual confusion. When the film opens in a blaze of
vivid colour, we see suburban families gathering for a huge
celebration. The perfect lawns, the perfect families, everything
is in its place. But for young Ludovic, society is out of sync,
and he along with it. The character is a symbol of non-conformity
in a society entrenched with archaic symbolism and perpetual
order. Ludovic believes he should have been a girl, that he was
born in a society not accepting of people deemed to be
individual. Berliner's film is therefore not simply about
childhood, about the larger world in which this character
inhabits and tries to make sense of. Ma Vie En Rose is an
elaborately textured work, a film that is both visually stylised
to represent the perceived fantasy world of Ludovic, yet also
deeply human and even dark. Masterfully and sensitively directed
by Berliner, this is a truly remarkable film, an intelligent,
deeply affecting work that remains an unforgettable and haunting
experience."
Paul Fischer
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CRITICAL COUNT
Favourable: 3
Unfavourable: 0
Mixed: 0
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See Paul Fischer's interview with director ALAIN BERLINER
MA VIE EN ROSE (M)15+
My Life In Pink
(Belgium)
CAST: Georges Du Fresne, Michèle Laroque, Jean-Philipee
Ecoffey, Hélène Vincent, Julien Rivière, Cristina Barget,
Gregory Diallo, Eric Cazals De Fabel, Daniel Hanssens, Laurence
Bibot, Jean-François Gallotte, Caroline Baehr, Anne Cossens,
Raphaelle Santini, Marie Bunel
DIRECTOR: Alain Berliner
PRODUCER: Carole Scotta
SCRIPT: Chris vander Stappen, Alain Berliner
CINEMATOGRAPHER: Yves Cape
EDITOR: Sandrine Deegen
MUSIC: Dominique Dalcan
SET DESIGN: Veronique Melery
RUNNING TIME: 89 minutes
AUSTRALIAN DISTRIBUTOR: Columbia TriStar
AUSTRALIAN RELEASE DATE: February 19, 1998
AWARDS: Best Picture, Karlovy-Vary Film Festival, 1997;
Best Foreign Language Film, Golden Globe 1998
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