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In the 1970s, Dickie Roberts (David Spade) was the idol of the nation as a cute young sitcom star. As an adult, his career has nosedived, and he supports himself working at a carpark when not making brief, humiliating TV appearances trading on his former fame. Things seem to be looking up when he has a chance for a part in a big new movie, but he's rejected on the grounds that he isn't a "real person" - since he never had a proper childhood, he can't convincingly function as an adult. In a last-ditch attempt to save his career, Dickie comes up with the plan of living for a month with an ordinary family who will treat him as a child, so that he finally has a chance to grow up for real.

Review by Jake Wilson:
David Spade is an expert at arch insincerity, but when it comes to pathos he's no Charlie Chaplin; he needs a sympathetic performer to bounce off, since it's hard to imagine any audience caring less about the plight of this horrid little twerp. So how are we meant to respond to the lachrymose scenes in Dickie Roberts: Child Star where the hero looks soulfully past the camera and talks about his need to be loved? And what about the hilariously awful-sounding film-within-a-film that Dickie wants to star in, a "high concept" fable in which a man literally discovers heaven in his own backyard? Is all this meant to be ironic - and if so, when do we laugh?
There are many moments in this witless low comedy where it's hard to fathom just what the filmmakers were thinking; even the joke announced in the title isn't developed according to any clear logic. It might have been funny if the adult Dickie clung to the cloying mannerisms that originally got him noticed, or if his showbiz upbringing had turned him into a catchphrase-spouting automaton like Jim Carrey in The Cable Guy. But in the event Dickie simply registers as a whiny stoner who thinks the world owes him a living - much as Spade expects the audience to forgive his laziness as actor and writer.
Indeed, the film only makes sense as an attempt (however feeble) at self-analysis: the early scenes where Dickie struggles to revive his career surely reflect Spade's own experiences on the lower rungs of the celebrity ladder, and while we're eventually meant to believe that Dickie has matured, his creator remains cut off from any emotion that can't be conveyed with a smirk. The sexual undercurrents of the story are a whole other issue, though they also seem personal, or at least distinctive. Any movie where the hero dresses as a child, falls in love with his "mother", and repeatedly seems sexually disturbed by barely pubescent girls...well, perhaps it's best not to speculate. If you're that interested in David Spade, you work it out.
There's a bundle of extras on the DVD, including two commentaries, deleted scenes, music video and featurettes.

Published August 12, 2004

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CAST: David Spade, Doris Roberts, Jon Lovitz, Alyssa Milano, Craig Bierko, Mary McCormack, Scott Terra, Jenna Boyd, Nicholas Schwerin

DIRECTOR: Sam Weisman

SCRIPT: Fred Wolf, David Spade

RUNNING TIME: 99 minutes

PRESENTATION: Widescreen; dolby digital English 5.1 surround

SPECIAL FEATURES: Commentary by Sam Weisman; commentary by David Spade & writer Fred Wolf; Reel Comedy; The True Hollywood story; Pencil Dickie Writing the Story; Behind Child Stars on Your Television; Child Stars on Your Television extended music video; deleted scenes; trailer


DVD RELEASE: August 12, 2004

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