UNDER THE SKIN
SYNOPSIS:
Iris (Samantha Morton) and Rose (Claire Rushbrook) compete for
their mother’s love. Iris (19) is convinced that Rose (24),
happily married and pregnant, is her mother’s favourite. It
comes as a devastating shock to both sisters when their mother
dies suddenly of cancer. Unable to grieve, Iris loses all sense
of herself and starts on a path of self-destruction. She leaves
her job, breaks up with her boyfriend Gary (Matthew Delamere) and
becomes promiscuous. Her irrational behaviour isolates her from
her friends, and she grows lonely and lost. She sinks lower and
lower, being humiliated, mugged and used. The overwhelming chaos
of Iris’s life has now touched Rose and the two finally
share the pain and confusion of their mother’s death.
"Carine Adler’s feature debut is a revealing look at
a young girl’s way of coping after the death of her mother.
Dealing with the sensitive issue, Adler broaches the subject with
poignancy, sensitivity and strength. It is a brutal depiction of
emotional devastation and grief experienced by the greatest of
losses. Adler has based the ideas on forensic psychiatrist Estela
Welldon’s book Mother, Madonna, Whore, where the basic
premise is that men externalise their anger and grief, while
women internalise it and head down a path of self-depravation,
mutilation or promiscuity. Interesting concept, and one that
could no doubt be the forum for much discussion. Under the Skin
is a powerful exploration, canvassing phases of denial, anger,
self-hatred and losing all sense of self and self-respect. It
shows the black sordid path to nowhere that a profound emotional
tragedy or shock can bring. We humans are a complex lot, and our
emotional persona is often hidden, even to ourselves. The great
power of Adler’s film comes from the handling of this
extremely complex subject. The juxtapositioning of scenes such as
the coffin being enflamed at the crematorium with scenes of
sexual promiscuity are unsettling and make for emotional
discomfort. The cast is tops, with a stand-out performance by
Samantha Morton, whose plaintive, child/woman vulnerability
shines on the screen. Compelling to watch, Under the Skin is sad,
poignant, moving and revealing cinema. Insightful, it goes to the core of human emotions, making a complete journey."
Louise Keller
"This is a problematic film from the outset. Tough,
uncompromising and overtly sexual, Under the Skin has an
audacious quality about it in its exploration of themes ranging
from sexuality, to death, to finding one's inner self. In fact,
thematically, there's nothing new here. There are many impressive
moments, including a strong start, and a beautifully poetic
finale, but in between, it has a pointless meandering quality to
it. The character of Iris, though faultlessly played by newcomer
Samantha Morton, seems under-defined and shallow, making her a
tough character to empathise with. The middle of the film is
intensely dark and depressing, which makes its upbeat ending,
though nicely handled, somewhat of an oddity. Though there is
much power in this debut feature by writer/director Carine Adler,
it lacks a central spirit that it desperately craves."
Paul Fischer
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CRITICAL COUNT
Favourable: 1
Unfavourable: 1
Mixed: 0
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UNDER THE SKIN (R)
(UK)
CAST: Samantha Morton, Claire Rushbrook Rita Tushingham,
Christine Tremarco, Stuart Townsend, Matthew Delamere, Mark
Womack, Clare Francis, Joe Tucker, Daniel O’Meara, Crissy
Rock
DIRECTOR: Carine Adler
PRODUCER: Kate Ogborn
SCRIPT: Carine Adler
CINEMATOGRAPHER: Barry Ackroyd
EDITOR: Ewa J. Lind
MUSIC: Ilona Seracz
PRODUCTION DESIGN: John-Paul Kelly
RUNNING TIME: 89 minutes
AUSTRALIAN DISTRIBUTOR: Dendy
AUSTRALIAN RELEASE: March 26, 1998
AWARDS: Critics Prize Toronto Film Festival 1997; Critics
Prize Edinburgh Film Festival 1997; Best British Film Edinburgh
Film Festival 1997 (Michael Powell Award); Selection for Best of
British Renaissance, Venice Film Festival 1997.
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