JUNK MAIL
SYNOPSIS:
Roy the mailman (Robert Skjæs ) is one of the invisible, the
unlucky and the insignificant. He is also his own worst enemy, a
wreck of a love starved man in the wrong place at the wrong time.
He has no compunction about intruding into other people’s
flats and lives, suffers from an acute lack of professional
ethics, and lives in a dump. One day, a young woman, Line
(Andrine Sæther) leaves her keys in her mailbox, a temptation
too great for Roy. Once inside, he peeps and picks into
everything, even follows her – and gets involved in
something more than her mail.
"Quirky with a sprinkling of wry humour, Junk Mail is a
character driven film, whose off-beat people engage us in a
journey of intrigue, as we stumble through the underbelly of
urban Norwegian life. Pål Sletaune has captured the dark side of
that life, as he explores the various shades of its characters.
The postmen in Norway don’t dress in the distinctive bright
fluoro shades that our Aussie posties do; Roy (Robert Skjaestad
is wonderfully dry and understated) looks a bit of a dag, with a
holy shirt and a bad attitude. His own life is so dull that he
wants to know about other people’s: he is a sticky beak,
checking out other people’s mail, and delighting in
discovering what people eat, drink, and he even tries out their
sleeping pills! He is actually a lost person with no purpose.
That is, until he meets Line (Andrine Sæther is terrific), and
suddenly the direction on his compass is set. While the strength
of Junk Mail is its off-beat approach, there’s also an
appealing poignancy, which stems from the issue of loneliness and
the positive influence the right person can make. It’s a
comic excursion into a world every character is odd and flawed,
yet somehow engaging. The understated script is reflected in the
look of the film, the distorted view of the world and the people
in it."
Louise Keller
"The characters in Junk mail are a miserable lot, but in
that ordinary way that many European urban dwellers have become,
yet with a uniqueness that endears us to them. They defend their
lives, their personalities (however imperfect) at all costs. To
them, after all, their lives are special. Sletaune’s
strength is in building these characters for us, economically yet
with a complexity that grows with each new layer, each new
insight. He says in his notes to the film that "the
film’s logic is the logic of coincidence and characters
don’t plan their lives more than a couple of minutes
ahead". This, to me, is the key to the film’s enjoyable
unpredictably. The characterisations and, ironically, the story
structure, give the film a depth, a haunting echo in the
subsconscious. And the love story emerges from the grey mist of
inadvertent meetings and a critical subplot about a robbery. In
short, Junk Mail is wryly amusing, satisfying and rewarding in a
way you don’t expect from what is essentially a black
comedy. But then good black comedies mirror life with
considerable authenticity."
Andrew L. Urban
"We all have an idealised view of the postman, often
immortalised on film through the ages as trustworthy, reliable,
honest and courteous. OK, forget all that, and welcome to the
savagely dark and unpredictable world of Junk Mail, a quite
brilliant and remarkable first feature by Norway's Pal Sletaune.
This is not a film about an especially likeable character. Roy,
the local postie, is a bit of a schmuck, you might say, the
proverbial loser who lives in hideous surroundings, throws out
half the mail he purports to deliver and reads the other half. Of
course, for a film to be successful, you need a character that
with whom we can empathise, so the skill of this script by
director Sletaune and his collaborator Jonny Halbert, is to
create sympathy for such a character. Theirs is a film about
loneliness, yet it is curiously optimistic, through the
unexpected relationship between Roy and the deaf Line, a
relationship which inadvertently turns Roy into something of a
human being. Dark, funny and fascinating, Junk Mail is an
intelligent and provocative work, brazenly original and
disturbingly compelling. Featuring a superb performance by Robert
Skjaerstad as the hapless Roy, sharp camerawork that heightens
the film's realistic milieu., Junk Mail is one of the freshest
and most unique films of the year with a character you'll never
forget in a hurry."
Paul Fischer
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CRITICAL COUNT
Positive: 3
Negative: 0
Mixed: 0
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See Paul Fischer's interview with director PAL SLETAUNE
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JUNK MAIL (M)
(Norway)
CAST: Robert Skjæs, Andrine Sæther, Per Egil Aske, Eli Anne
Linnestad, Trond Hovik, Henriette Steenstrup, Trond Fausa
Aurvåg, Ådne Olav Sekkelsten
DIRECTOR: Pål Sletaune
PRODUCER: Dag Nordahl
SCRIPT: Pål Sletaune, Jonny Halberg
CINEMATOGRAPHER: Kjell Vassdal
EDITOR: Pål Gengenbach
PRODUCTION DESIGN: Karl Juliusson
RUNNING TIME: 83 minutes
AUSTRALIAN DISTRIBUTOR: Dendy
AUSTRALIAN RELEASE: April 9, 1998
Norwegian with English subtitles.
AWARDS: Best Film, La Semaine de Critique, Cannes; Grand Prix
of the Jury, Napoli Film Festival, Italy; Best Film, Best Female
Actor, Best Male Actor, Norwegian Film Festival; Best Director
Silver Spur, Flanders International Film Festival, Ghent
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