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"Part of the soundtrack composerís craft is to heighten the cinematic experience without distracting from the images. But one could hardly say that Howard Shore was set much of a challenge here when it came to avoiding an intrusion on the visuals. Tchaikovskyís cannons would be hard pressed to distract attention from Tarsemís outre images.

Shoreís score is eerie, exotic, and sometimes genuinely menacing. Itís apposite stuff for Tarsemís stylised art-horror indulgence, but not exactly an easy listen. And it probably isnít meant to be.

Tarsemís extravagance isnít everybodyís chalice of chills, so itís hardly likely to be graced with a broadly accessible soundtrack. In many ways this is one of those scores that continually tantalizes without ever truly satisfying. Like James Newton Howardís Unbreakable score, it is comprised largely of incidental ambience that struggles to stand alone.

Nevertheless, there is curiosity value galore in the contributions by The Master Musicians Of Jajouka, an elite, spiritualist caste of the Rif Mountains of Morocco, whose heritage dates back 1200 years and whose ancestors were court musicians for Moroccan kings.

They were brought to Howard Shoreís attention by free-form jazz giant Ornette Coleman who had recorded with them previously. Playing such instruments as the monochord, nay flute and sarangi, these Moroccan maestros add busy rhythms and exotic intervals of reedy and twangy tones to Shoreís dark atmospherics.

Paul Clarvis, credited as 'percussion specialist', hits an array of unspecified koto and conga-like drums to thundering effect. When his rumbling crescendo is blended with bursts of brass cacophonies the soundtrack belatedly and all too briefly takes on a compelling guise that it could have done with from start to finish.

For the main it sounds like an extended accompaniment desperately searching for some pictures (to accompany) Ė preferably of the macabre and gruesome kind. Got an Hieronymous Bosch picture book handy?

The sinister edge is sharpened when cascades of screeching strings assault the ears with a salvo of discordant passages that are somewhat like a cross between the tuning-up of a drunk orchestra and a Jurassic aviary of enraged Pterodactyls.

Undoubtedly an interesting soundtrack. But Iíd have to rate it more esoteric than entertaining."
Brad Green

Publication date: December 7, 2000

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TITLE: The Cell

ID: 38572 03462
FMR/New Line Records



PRODUCER: Howard Shore, Suzana Peri

PRODUCER (bonus track): Talvin Singh

ADDITIONAL MUSIC: Hadj Abdesalam Attar, Bachir Attar, Milton Drake, Al Hoffman, Jerry Livingstone

FEATURED MUSICIANS: The London Philharmonic Orchestra, Bachir Attar and The Master Musicians of Jajouka

TRACKS: 20 (including bonus track)

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