ZIGMAN, LAURA: SOMEONE LIKE YOU
SAME COW, NEW NAME
The misery after getting dumped by a man prompted Laura Zigman to
write a wry, autobiographical book about bulls and cows –
Animal Husbandry. It is now a film starring Ashley Judd, Greg
Kinnear and Hugh Jackman, re-titled Someone Like You, which
retains the spirit if not the title, Zigman tells LOUISE KELLER.
Animal Husbandry is your first novel. What inspired you
to write the book?
Getting dumped -- and the misery that ensued -- inspired me to
write Animal Husbandry. Of course, the first five or so drafts
were so horribly autobiographical that it was unreadable, I
think, to anyone except me (and even I had a hard time reading it).
But eventually I rewrote it, fictionalizing much of it. They
always say you should write about what you know, and I've always
found that to be true.
Are the characters based on people you know?
Many of what my friends and I have gone through, are, I think,
common to a lot of people -- getting dumped; wanting to have
children and being afraid there won't be enough time (Dating Big
Bird); being insanely jealous of your mate's ex (that's what my
third novel, HER, is about). Again, writing about what I know has
always worked best for me.
What research did you carry out and over what period of
When I wrote Animal Husbandry, it was, hard to believe, before
the Internet was such a highly developed and common research
tool, so I'm afraid to say that most if not all of my research
was old-fashioned: books and magazines. When you're sad and
lonely and miserable and feel pathetic after being dumped, you
have a surprising (if alarming) amount of spare time to read such
things, and to find "meaning" in everything. Which was
the case with me. When a friend pointed out "The Coolidge
Effect" about bulls and cows, I was absolutely fascinated,
and that fascination (narcissistic, again, when you're dealing
with the after effects of being dumped) was fueled by every other
little tidbit of scientific data that I found. All the scientific
information in the book is true and factual, of course, whether
or not you agree with it's (sometimes questionable) application
to human heartbreak.
How did the film come about and how did you feel about
the title change?
The film rights were sold long before the book was published,
when it was still in manuscript form. Lynda Obst, the producer,
bought it for 20th Century Fox, and we met several times -- in
Los Angeles, and in New York -- to discuss the screenplay with
the screenwriter. Up until about three weeks before the American
release of the film, the title remained Animal Husbandry, but
then at the last minute the studio changed it. Clearly, they felt
uncertain about a mass audience understanding what the title
meant and doubting it's appeal. Needless to say, I was extremely
disappointed by that -- as was Lynda Obst; Tony Goldwyn, the
director, and Elizabeth Chandler, the screenwriter.
What is your relationship with cows?
At the moment, I have no relationship with cows. Years ago when I
was younger, and the men I dated were younger, and much less
complex, the metaphor of cows and bulls seemed an entirely
appropriate way to explain the often devastating pitfalls of
dating. But now, I'm turning 39; the man I live with and have a
baby with is divorced with a nine-year-old daughter, and things
seem much more complicated.
And do you think of yourself as either an old cow or a
Again, when I was writing Animal Husbandry, I definitely
felt like an Old Cow. All the time. I thought of most of my
friends, who were also single, as Old Cows. This went on for many
years, I'm afraid. Now, though, I've stopped thinking that way.
The world of love and relationships is much more complex to me at
this point in my life; there is far more gray area. Technically,
I suppose, I would consider myself simply a Cow, since I'm living
with someone (we're planning to get married, one of these days),
but I'm never smug enough to take any great pride in that.
Did you work with screenwriter Elizabeth Chandler and is
the sensibility that you captured in the book reflected in the
I met with Elizabeth Chandler several times during the years she
was adapting Animal Husbandry. This was really a treat, since I
didn't have an official role in the writing of the screenplay. I
was grateful to Lynda Obst for including me and keeping me in the
loop, and for giving me a chance to see how the process works.
Did you go onset? And what was your initial reaction when
you saw the film?
I did go on the set of Animal Husbandry, in mid-August last
summer, about six weeks after I'd had my baby. Which was great.
And not so great, since I was about 30 pounds heavier than I
normally am, so standing next to Ashley Judd at that moment was
hideously embarrassing since she was absolutely gorgeous, and
tiny (I asked one of the wardrobe people if she was a size 2. The
answer: "A size zero, if even."). But aside from that,
it was quite exciting. We met Hugh Jackman, who was incredibly
warm and friendly, and who took a great interest in Benji (Hugh
and his wife had a 3-month old son, Oscar). He is also one of the
most handsome men any of us had ever seen. Greg Kinnear was
there, too, and of course Lynda Obst and the director Tony
Goldwyn. The day we were there, they were shooting a scene where
Eddie, played by Hugh Jackman, has a huge hickey on his neck that
Ashley Judd points out with great disgust. Eddie's response is,
"I bit myself shaving." This was quite a kick for me,
since that was a line unchanged from the book. This past winter,
in mid-January, I went to New Canaan, Connecticut, to see an
early cut of the film with Tony Goldwyn. It was pretty amazing to
see the film, even though they were still editing it. I thought
they'd done a terrific job; despite all the changes from the
book, I really, really enjoyed it.
How did the casting reflect the images you constructed
for the characters yourself?
I thought the casting was terrific, and unexpectedly interesting.
Since I never write with any casting ideas in mind (who could
have that much hubris?), I was very excited and curious to see
who would end up playing who. I was thrilled when I heard they'd
cast Marisa Tomei, and Ellen Barkin; surprised by the choice of
Greg Kinnear -- he was absolutely hilarious, I thought; brilliant
in his portrayal of Ray. Hugh Jackman, of course, was the perfect
womanizer-with-a-heart-of-gold; and Ashley Judd? Well, when you
write a rather autobiographical novel and someone that beautiful
is chosen to play a character that is, essentially sort of you,
it's great. And completely ridiculous.
After Animal Husbandry you wrote your next novel Dating
Big Bird. Tell us about it and will it be made into a film?
Dating Big Bird is about a single woman in her mid-thirties who
really wants to have a child but is afraid she won't meet the
right man in time to have one. It describes the situation many
single women in their thirties start to face, and while it sounds
like a complete cliché -- women's biological clocks ticking and
all that -- it's very, very real to the women in that situation.
I wrote the book three years ago, before I met my boyfriend and
became pregnant, so I was completely in that position: wanting to
have a child, but convinced I would have to figure out some
alternative method of having one because my dating history was
well, a big spotty....
Published July 12, 2001
Email this article
See our REVIEWS