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Created as the result of a terrifying Nazi experiment in 1944, Hellboy (Ron Perlman) has been raised by his mentor Dr Broom (John Hurt) to be a force for good. Now they work for the top-secret Bureau of Paranormal Research and Defense, hunting down monsters that threaten public safety. But the Bureau's director Dr Manning (Jeffrey Tambor) is increasingly frustrated that his large red agent keeps appearing on the news, so he enlists a young FBI agent, John Myers (Rupert Evans) to "nursemaid" Hellboy and keep him in check. The mad monk Rasputin (Karel Roden), who was involved in the 1944 incident, is back and determined to unleash an awful wrath on the world. Even as this menace is building though, Myers and Dr Broom have trouble keeping Hellboy focused, as he pines for Liz Sherman (Selma Blair), a fire-starter and former Bureau member, who has checked herself into a mental health facility.

Review by David Edwards:
Comic book adaptations have had a chequered history of late. Spider-Man was a runaway success, but other big budget productions based on superheroes (Hulk, for example) have failed to inspire. With Hellboy however, the comic book movie has found its feet again.

This energetic, wise-cracking and technically excellent film from noted horror director Guillermo del Toro (The Devil's Backbone; Blade II) succeeds in large part because del Toro is prepared to allow his characters to develop, even as the apocalyptic plot develops around them. For all its fight sequences and CGI monsters, this is a film about overcoming self-doubt and finding your "true self". And if all that sounds a bit highfaluting, there's plenty of butt kicking too.

The film allows del Toro considerable scope to explore some of the themes from his earlier films in more detail. For example, time plays a significant part in this film - including one character who survives by winding himself up like a clock - and was a key theme from his 1993 film Cronos. He also delves into his now-familiar religious ideas with some gusto. Shot with a dark moody tone, the film moves along briskly, skilfully blending humour, horror and action. The set and costume designs are first rate, and the use of atmospheric locations around Prague (standing in for both Russia and New Jersey) adds to the experience.

Hellboy deserves kudos for a mostly restrained - and as a result, effective - use of CGI. Instead of dozens of different monsters (a la Van Helsing), there are but a few; the main one being Sammael, a hell-hound with a nasty habit of reproducing. Some of the effects, notably Liz Sherman's pyrotechnics, are stunning; and the blending of the "real" and computer-generated elements is generally good. The final battle in which a monstrous creature is unleashed is over-the-top; but by then I'd had such a good time with this film, I was prepared to allow del Toro some excesses.

Where this film comes into its own is with del Toro's deft touch with the characters. From the smart-mouthed but conflicted Hellboy to the demented arch-villain Rasputin, all add to the mix. Unlike many action/horror directors, he knows that some of his best moments come in the quiet times between action sequences. Here, the scene in which Hellboy follows Liz and Myers through the streets is a fine example of one such moment. And despite a fair smattering of occult and end-of-the-world elements in the plot, thank goodness he took the time to lighten the mood with some well-placed humour and stinging one-liners.

After a series of supporting parts and B-movies, Ron Perlman comes into his own as Hellboy. If ever there were an actor perfectly suited for a part, this is it. Even under the thick red make-up and grotesque right hand, Perlman manages to bring out Hellboy's more thoughtful side. Selma Blair shines as the damaged Liz, and John Hurt (also heavily made up) brings considerable gravitas to the film as Dr Broom.

Hellboy is another winner for del Toro, an entertaining and absorbing ride into a nightmarish world. Accessible yet surprisingly deep, this is a film for everyone who likes their comics dark and snappy.

Special Features reviewed by Craig Miller:
As we close 2004: The Year of the Quality DVD Double Disc, there's just enough time to sneak in a final set (or two), and it looks like the year's going to end with a bang with Hellboy.

Continuing with the trend, the new Hellboy two-pack is a gem, exploring everything this dark comic book caper has to offer with a range of behind-the-scenes features and conception material through to publicity and director's afterthoughts.

On the first disc, director Guillermo Del Toro begins this film tour with a short introduction explaining what can be found on disc one. Anyone who has experienced the delights of a Del Toro production on DVD (see Blade 2) will know that the action is just about ready to explode, and the opening extra, a commentary track from this exciting director, sets the scene perfectly. From beginning to end, Del Toro delivers a riveting tour de force track, delving into the history of comic books and graphic novels, and chatting about his influences and the additional footage that differs from the theatrical release. He's relentless for the two-plus hours and if all DVDs came with such personable, in-depth features, there would be little need for anything else.

Thankfully though, we get the A-grade commentary and more as the first disc continues on with a collection of various other tracks. The musical score track offers a few short passages about the film's music from composer Marco Beltrami, the storyboard track allows you to compare said storyboards to the film, and there's also a couple of interactive branching features which pop up from time to time while you're watching the film offering a chance to check out some behind-the-scenes action and some new Hellboy comics illustrated by Hellboy author Mike Mignola and written by Guillermo himself. If patience is a problem, a special index menu allows you to check out these 16 featurettes without making you sit through the entire film again and again - a nice addition.

A Selma Blair intro kicks off the action on disc two, and a very bored Blair quickly fires off explanations about the disc's layout and where to find what. There is quite a bit of promotion gear but fear not, there is a small collection of deleted scenes (more accurately described as extended scenes) and one of the most involved DVD docos ever. The Seeds of Creation runs a whopping 140-plus minutes and can be viewed as individual featurettes, or as a full-length doco. The choice is yours but when it comes to DVD docos, I say press 'Play All'. Everything is covered, from pre-production to premiere, and there's some wonderful footage from principal photography and more than enough interviews and behind-the-scenes bits to keep fervent fans and casual viewers alike enthralled. If you've still got some time, the animatics and promo gear is all worth checking out and I wouldn't be surprised if, after that, you went back and started again. It's that good!

Published December 9, 2004

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(US, 2004)

CAST: Ron Perlman, John Hurt, Selma Blair, Rupert Evans, Karel Roden, Jeffrey Tambor, Doug Jones, Brian Steale, Corey Johnson

DIRECTOR: Guillermo Del Toro

SCRIPT: Guillermo Del Toro (Screen story Guillermo Del Toro & Peter Briggs, based on Mike Mignola's comic book)

RUNNING TIME: 117 minutes

PRESENTATION: 1.85:1, 16:9 enhanced, Dolby Digital 5.1

SPECIAL FEATURES: Disc One: Introduction by director Guillermo Del Toro; Director's audio commentary; score commentary with composer Marco Beltrami, Branching DVD comics; Branching 'The Right Hand of Doom' set visit, Storyboard track, DVDROM content.[BREAK]Disc Two: Introduction from Selma Blair; 'The Seeds of Creation'; Deleted scenes with optional commentary; Scene progression featurette; Animatic; Board-a-matics; Storyboard comparisons; Maquette video gallery; Filmographies; Character profiles; Trailers, TV spots.

DVD DISTRIBUTOR: Columbia Tristar

DVD RELEASE: December 8, 2004

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